Events Events
Bibliography Bibliography
Resources Resources
Biography Biography
Exhibitions Exhibitions
Articles and Books
Lawrence Alloway, ‘Eduardo Palozzi’, Architectural Design, April 1956
Lawrence Alloway, ‘Paolozzi and the Comedy of Waste’, Cimaise, October 1960
Lawrence Alloway, Metallization of a Dream, London 1963
Dore Ashton, ‘Art’, Arts and Architecture, June 1962
J. G. Ballard, ‘Speculative Illustrations, Eduardo Paolozzi in conversation with J.G. Ballard and Frank Whitford’, Studio International, October 1970
Reyner Banham, ‘The New Brutalism’, Architectural Review, December 1955
Reyner Banham, ‘History of Immediate Future’, The Listener, 23 February 1961
David Brittain, ‘Eduardo Paolozzi at Ambit’, The Jet Age Compendium: Paolozzi at Ambit 1967-1980, London 2009
Jürgen Claus, Kunst Heute, Hamburg 1965
Rolf-Gunter Dienst, ‘Eduardo Paolozzi’, Das Kunstwerk, October 1962
Rolf-Gunter Dienst, Pop Art, Wiesbaden 1965
Christopher Finch, ‘Paolozzi in the Sixties’, Art International, November 1966
Christopher Finch, ‘De techniek van de serigrafie’, Eduardo Paolozzi Serigrafieen, exh. cat., Stedelijk Museum, Amsterdam, 1968
Christopher Finch, ‘Eduardo Paolozzi’, Image as Language. Aspects of British Art 1950-1968, London 1969
Christopher Finch, ‘Language Mechanisms – a review of the work of Eduardo Paolozzi’, New Worlds, August 1974
P.H. Heftling, ‘Twee in een, Palozzi en Caro in het museum Kröller-Müller, Museum Journal, vol.12, no.2, 1967
Ben Highmore, ‘Paolozzi’s Brutalism’, October, no.136, Spring 2011
John Paul Hodin, ‘Eduardo Paolozzi’, Quadrum, May 1956
Diane Kirkpatrick, Eduardo Paolozzi, London 1970
Alex Kitnick, ‘The Brutalism of Life and Art’, October, no.136, Spring 2001
Alex Kitnick, ‘Another Time’, Art Journal, summer 2012
Winfried Konnertz, Eduardo Paolozzi: Köpfe, exh. cat., Skulpturemuseum Glaskasten, Marl 1986
Frank Mac Ewen, Derrière le Mirroir, no.22, vol.4, October 1949 [CHECK]
Michael Middleton, ‘Huit sculpteurs britianniques’, Art d’Aujordhui,
Robert Melville, ‘Eduardo Paolozzi’, Horizon, n.92, Sept 1947, pp.212- 3
Robert Melville, ‘Eduardo Paolozzi’, Motif, no.2, February 1959
Robert Melville, ‘Exhibitions’, Architectural Review, March 1959
Robert Melville, ‘Eduardo Paolozzi’, L’Oeil, no.65, 1960
Michael Middleton, Eduardo Paolozzi, London 1963
Rosemary Miles, The Complete Prints of Eduardo Paolozzi: Prints, drawings and collages 1944-77, Victoria & Albert Museum, London 1977
Fiona Pearson, Paolozzi, exh. cat., Scottish National Gallery of Modern Art, 1999
Jasia Reichardt, ‘Eduardo Paolozzi’, The London Magazine, March 1963
Jasia Reichardt, ‘Paolozzi and what led up to a Certain Event in 2000 A.D.’ Metro, no.8, 1963
Jasia Reichardt, ‘Revival of Machine Esthetic’, Architectural Design, October 1964
Jasia Reichardt, ‘Eduardo Paolozzi’, Studio International, October 1964
Edouard Roditi, ‘Interview with Eduardo Paolozzi’, Arts, May 1959
Edouard Roditi, ‘Eduardo Paolozzi’, Dialogues on Art, London 1960
John Russell & Suzi Gablik, Pop Art redefined, London 1969
Uwe M. Schneede, Eduardo Paolozzi, New York 1970
Robin Spencer, ‘Introduction’, Eduardo Paolozzi: The conditional probability machine, St Katharine’s Gallery, St Andrews 1972
Robin Spencer (ed.), Eduardo Paolozzi: Writings and Interviews, Oxford 2000
John-Paul Stonnard, ‘The ‘Bunk’ Collages of Eduardo Paolozzi’, Burlington Magazine, no.1261, vol. CL, April 2008
John-Paul Stonnard, ‘Paolozzi’s Psychological Atlas’, October, no.136, Spring 2011
Brandon Taylor, ‘Paolozzi’s Aleatory Archive’, Artists and Archives on the Meaning of Time and Memory in the Digital Age – Proceedings from the Symposium, Rennes 2001
D.E.S. Truman, Eduardon Paolozzi: Sculptures for the King’s Buildings, Edinburgh 1997
Frank Whitford, Eduardo Paolozzi, exh. cat., Tate Gallery, 1971
Frank Whitford, Eduardo Paolozzi: Sculptures from a Garden, exh. cat., Serpentine Gallery, 1987
Frank Whitford, ‘Paolozzi and Germany’, exh cat, Eduardo Paolozzi: Works from Germany, Goethe-Institut, London 1991
Exhibition catalogues, multiple contributors
Paolozzi: sculpture, Hanover Gallery, London 1958
Eduardo Paolozzi: sculpture; prints, Scottish National Gallery of Modern Art, Edinburgh 1966
Eduardo Paolozzi: sculpture and graphics, Hanover Gallery, London 1967
Eduardo Paolozzi: A Print Retrospective, University of California, Berkeley 1968
Eduardo Paolozzi, Tate Gallery, 1971
Eduardo Paolozzi, Kestner-Gesellschaft, Hanover 1974
Eduardo Paolozzi, Nationgalerie Berlin, Berlin 1975
Eduardo Paolozzi: New Reliefs and Sculpture, Marlborough Fine Art, London 1976
Eduardo Paolozzi: Sculpture, Drawings, Collages and Graphics, Arts Council, London 1976
Eduardo Paolozzi: Collages and Drawings, Anthony d’Offay, London 1977
Eduardo Paolozzi: Work in Progress, Kölnischer Kunstverein, Cologne1979
Eduardo Paolozzi: Recurring Themes, New York 1984
Eduardo Paolozzi: Private Vision – Public Art, Architectural Association, London 1984
Lost Magic Kingdoms and Six Paper Moons from Nahuatl: An Exhibition at the Museum of Mankind, British Museum, London 1985
Eduardo Paolozzi: Sculptures from a Garden, Serpentine Gallery, London 1987
Paolozzi Portraits, National Portrait Gallery, London 1988
Eduardo Paolozzi: Nullius in Verba, Talbot Rice Gallery, Edinburgh 1989
Eduardo Paolozzi: Made in Munich, Akademie in der bildenden Künste, Munich 1989
Eduardo Paolozzi: Mythologies, The Scottish Gallery, London 1990
Eduardo Paolozzi: Artificial Horizons and Eccentric Ladders, British Council, London 1996
Eduardo Paolozzi: Physiognomy, Flower, London 2007
Eduardo Paolozzi: Archaeology of a Used Future: Sculpture 1946- 1959, Jonathan Clark Fine Art, 2011
Nigel Henderson & Eduardo Paolozzi: Hammer Prints 1954-75, Firstsite, Colchester 2013
Eduardo Paolozzi: Collaging Culture, Pallant House, Chichester 2013
Publications by Eduardo Paolozzi
‘Metamorphosis of Rubbish – Mr Paolozzi Explains his Process, The Times, 2 May 1958
‘Notes from a Lecture at the Institute of Contemporary Art’, Uppercase, no.1, 1958
‘Statement’, New Images of Man, exh. Cat., MoMA, New York 1959
‘Mein Diktionnär’, Blätter und Bilder, no.7, March/April 1960
‘The Sculptor Speaks – The Enchanted Forest’, The Observer, 24 April 1960
Metafisikal Translations, London 1962
The Metalization of a Dream, with commentary by Lawrence Alloway, London 1963
‘Interview between Richard Hamilton and Eduardo Paolozzi’, Contemporary Sculpture: Arts Yearbook 8, New York 1965
‘Wild Track for Ludwig – the Kakafon Kakkoon laka oon Elektrik lafs’, dated 1965, original text for As Is When, published by Editions Alecto, London; reprinted in Eduardo Paolozzi – A selection of works from 1963-1966, exh. cat., Robert Fraser Gallery, London, and Pace Gallery, New York, 1966
Richard Hamilton (ed.), Kex, London 1966
‘Minting Prints: The Meaning of “Originality”’, The Guardian, 6 March 1967
‘Theorieen over aesthetische mogelijkheden en het neo-plasticisme’, exh. cat., Eduardo Paolozzi, Rijksmuseum, Kröller-Müller 1967. Published in English as ‘Theories Concerning Aesthetic Chance and Neo-Platonism’, Eduardo Paolozzi- Complete Graphics, Galerie Mikro, Berlin 1969
‘Analysis of Domains of the Spectrum of the Alternatives’, exh. cat., Eduardo Paolozzi – Sculpture and Graphics, Städtischer Kunsthalle, Düsseldorf 1968
‘Metal Fables and Metropolitan Sentiments I’, in Russell and Gablik, Pop Art redefined, London 1969
‘Why We Are in Vietnam. A Novel by Eduardo Paolozzi’, Ambit, no.40, 1969
‘Things. A Novel by Eduardo Paolozzi’, Ambit, 41, 1969
‘Nippon Agency. Bax and Paolozzi Reporting’, Ambit, no.43, 1970
Abba Zaba, London 1970
‘The iconography of the present’, Times Literary Supplement, 8 December 1972
‘The Unfilmed Scripts of Eduardo Paolozzi’, Ambit, no.50, 1972
Diane Kirkpatrick (ed.), ‘Texts A: Eduardo Paolozzi’, Ambit, no.51, 1972
‘Junk and new Arts and Crafts movement’, in Eduardo Paolozzi, Talbot Rice Art Centre, Edinburgh 1979
The Jet Age Compendium: Paolozzi at Ambit 1967-1980, London 2009