Articles and Books Lawrence Alloway, ‘Eduardo Palozzi’, Architectural Design, April 1956 Lawrence Alloway, Metallization of a Dream, London 1963 Lawrence Alloway, ‘Paolozzi and the Comedy of Waste’, Cimaise, October 1960 Dore Ashton, ‘Art’, Arts and Architecture, June 1962 J. G. Ballard, ‘Speculative Illustrations, Eduardo Paolozzi in conversation with J.G. Ballard and Frank Whitford’, Studio International, October 1970 Reyner Banham, ‘History of Immediate Future’, The Listener, 23 February 1961 Reyner Banham, ‘The New Brutalism’, Architectural Review, December 1955 David Brittain, ‘Eduardo Paolozzi at Ambit’, The Jet Age Compendium: Paolozzi at Ambit 1967-1980, London 2009 Jürgen Claus, Kunst Heute, Hamburg 1965 Judith Collins, Eduardo Paolozzi, Lund Humphries Publishers Ltd, 2014 Rolf-Gunter Dienst, ‘Eduardo Paolozzi’, Das Kunstwerk, October 1962 Rolf-Gunter Dienst, Pop Art, Wiesbaden 1965 Christopher Finch, ‘Paolozzi in the Sixties’, Art International, November 1966 Christopher Finch, ‘De techniek van de serigrafie’, Eduardo Paolozzi Serigrafieen, exh. cat., Stedelijk Museum, Amsterdam, 1968 Christopher Finch, ‘Eduardo Paolozzi’, Image as Language. Aspects of British Art 1950-1968, London 1969 Christopher Finch, ‘Language Mechanisms – a review of the work of Eduardo Paolozzi’, New Worlds, August 1974 P.H. Heftling, ‘Twee in een, Palozzi en Caro in het museum Kröller-Müller, Museum Journal, vol.12, no.2, 1967 Ben Highmore, ‘Paolozzi’s Brutalism’, October, no.136, Spring 2011 John Paul Hodin, ‘Eduardo Paolozzi’, Quadrum, May 1956 Diane Kirkpatrick, Eduardo Paolozzi, London 1970 Alex Kitnick, ‘The Brutalism of Life and Art’, October, no.136, Spring 2001 Alex Kitnick, ‘Another Time’, Art Journal, summer 2012 Winfried Konnertz, Eduardo Paolozzi: Köpfe, exh. cat., Skulpturemuseum Glaskasten, Marl 1986 Frank Mac Ewen, Derrière le Mirroir, no.22, vol.4, October 1949 [CHECK] Robert Melville, ‘Eduardo Paolozzi’, Horizon, n.92, Sept 1947, pp.212- 3 Robert Melville, ‘Eduardo Paolozzi’, Motif, no.2, February 1959 Robert Melville, ‘Eduardo Paolozzi’, L’Oeil, no.65, 1960 Robert Melville, ‘Exhibitions’, Architectural Review, March 1959 Michael Middleton, Eduardo Paolozzi, London 1963 Michael Middleton, ‘Huit sculpteurs britianniques’, Art d’Aujordhui, Rosemary Miles, The Complete Prints of Eduardo Paolozzi: Prints, drawings and collages 1944-77, Victoria & Albert Museum, London 1977 Fiona Pearson, Paolozzi, exh. cat., Scottish National Gallery of Modern Art, 1999 Jasia Reichardt, ‘Eduardo Paolozzi’, Studio International, October 1964 Jasia Reichardt, ‘Eduardo Paolozzi’, The London Magazine, March 1963 Jasia Reichardt, ‘Paolozzi and what led up to a Certain Event in 2000 A.D.’ Metro, no.8, 1963 Jasia Reichardt, ‘Revival of Machine Esthetic’, Architectural Design, October 1964 Edouard Roditi, ‘Eduardo Paolozzi’, Dialogues on Art, London 1960 Edouard Roditi, ‘Interview with Eduardo Paolozzi’, Arts, May 1959 John Russell & Suzi Gablik, Pop Art redefined, London 1969 Uwe M. Schneede, Eduardo Paolozzi, New York 1970 Robin Spencer, ‘Introduction’, Eduardo Paolozzi: The conditional probability machine, St Katharine’s Gallery, St Andrews 1972 Robin Spencer (ed.), Eduardo Paolozzi: Writings and Interviews, Oxford 2000 John-Paul Stonnard, ‘Paolozzi’s Psychological Atlas’, October, no.136, Spring 2011 John-Paul Stonnard, ‘The ‘Bunk’ Collages of Eduardo Paolozzi’, Burlington Magazine, no.1261, vol. CL, April 2008 Brandon Taylor, ‘Paolozzi’s Aleatory Archive’, Artists and Archives on the Meaning of Time and Memory in the Digital Age – Proceedings from the Symposium, Rennes 2001 D.E.S. Truman, Eduardon Paolozzi: Sculptures for the King’s Buildings, Edinburgh 1997 Frank Whitford, Eduardo Paolozzi, exh. cat., Tate Gallery, 1971 Frank Whitford, Eduardo Paolozzi: Sculptures from a Garden, exh. cat., Serpentine Gallery, 1987 Frank Whitford, ‘Paolozzi and Germany’, exh cat, Eduardo Paolozzi: Works from Germany, Goethe-Institut, London 1991 | Exhibition catalogues, multiple contributors Paolozzi: sculpture, Hanover Gallery, London 1958 Eduardo Paolozzi: sculpture; prints, Scottish National Gallery of Modern Art, Edinburgh 1966 Eduardo Paolozzi: sculpture and graphics, Hanover Gallery, London 1967 Eduardo Paolozzi: A Print Retrospective, University of California, Berkeley 1968 Eduardo Paolozzi, Tate Gallery, 1971 Eduardo Paolozzi, Kestner-Gesellschaft, Hanover 1974 Eduardo Paolozzi, Nationgalerie Berlin, Berlin 1975 Eduardo Paolozzi: New Reliefs and Sculpture, Marlborough Fine Art, London 1976 Eduardo Paolozzi: Sculpture, Drawings, Collages and Graphics, Arts Council, London 1976 Eduardo Paolozzi: Collages and Drawings, Anthony d’Offay, London 1977 Eduardo Paolozzi: Work in Progress, Kölnischer Kunstverein, Cologne1979 Eduardo Paolozzi: Recurring Themes, New York 1984 Eduardo Paolozzi: Private Vision – Public Art, Architectural Association, London 1984 Lost Magic Kingdoms and Six Paper Moons from Nahuatl: An Exhibition at the Museum of Mankind, British Museum, London 1985 Eduardo Paolozzi: Sculptures from a Garden, Serpentine Gallery, London 1987 Paolozzi Portraits, National Portrait Gallery, London 1988 Eduardo Paolozzi: Nullius in Verba, Talbot Rice Gallery, Edinburgh 1989 Eduardo Paolozzi: Made in Munich, Akademie in der bildenden Künste, Munich 1989 Eduardo Paolozzi: Mythologies, The Scottish Gallery, London 1990 Eduardo Paolozzi: Artificial Horizons and Eccentric Ladders, British Council, London 1996 Eduardo Paolozzi: Physiognomy, Flower, London 2007 Eduardo Paolozzi: Archaeology of a Used Future: Sculpture 1946- 1959, Jonathan Clark Fine Art, 2011 Nigel Henderson & Eduardo Paolozzi: Hammer Prints 1954-75, Firstsite, Colchester 2013 Eduardo Paolozzi: Collaging Culture, Pallant House, Chichester 2013 Eduardo Paolozzi, Whitechapel Gallery, London 2017 Eduardo Paolozzi, Lots of Pictures - Lots of Fun, Berlinische Galerie, Berlin, 2018 Eduardo Paolozzi - Hollow Gods: Sculpture & Collage 1946 - 1960, Hazlitt Holland-Hibbert, London 2019 | Publications by Eduardo Paolozzi ‘Metamorphosis of Rubbish – Mr Paolozzi Explains his Process, The Times, 2 May 1958 ‘Notes from a Lecture at the Institute of Contemporary Art’, Uppercase, no.1, 1958 ‘Statement’, New Images of Man, exh. Cat., MoMA, New York 1959 ‘Mein Diktionnär’, Blätter und Bilder, no.7, March/April 1960 ‘The Sculptor Speaks – The Enchanted Forest’, The Observer, 24 April 1960 Metafisikal Translations, London 1962 The Metalization of a Dream, with commentary by Lawrence Alloway, London 1963 ‘Interview between Richard Hamilton and Eduardo Paolozzi’, Contemporary Sculpture: Arts Yearbook 8, New York 1965 ‘Wild Track for Ludwig – the Kakafon Kakkoon laka oon Elektrik lafs’, dated 1965, original text for As Is When, published by Editions Alecto, London; reprinted in Eduardo Paolozzi – A selection of works from 1963-1966, exh. cat., Robert Fraser Gallery, London, and Pace Gallery, New York, 1966 Richard Hamilton (ed.), Kex, London 1966 ‘Minting Prints: The Meaning of “Originality”’, The Guardian, 6 March 1967 ‘Theorieen over aesthetische mogelijkheden en het neo-plasticisme’, exh. cat., Eduardo Paolozzi, Rijksmuseum, Kröller-Müller 1967. Published in English as ‘Theories Concerning Aesthetic Chance and Neo-Platonism’, Eduardo Paolozzi- Complete Graphics, Galerie Mikro, Berlin 1969 ‘Analysis of Domains of the Spectrum of the Alternatives’, exh. cat., Eduardo Paolozzi – Sculpture and Graphics, Städtischer Kunsthalle, Düsseldorf 1968 ‘Metal Fables and Metropolitan Sentiments I’, in Russell and Gablik, Pop Art redefined, London 1969 ‘Why We Are in Vietnam. A Novel by Eduardo Paolozzi’, Ambit, no.40, 1969 ‘Things. A Novel by Eduardo Paolozzi’, Ambit, 41, 1969 ‘Nippon Agency. Bax and Paolozzi Reporting’, Ambit, no.43, 1970 Abba Zaba, London 1970 ‘The iconography of the present’, Times Literary Supplement, 8 December 1972 ‘The Unfilmed Scripts of Eduardo Paolozzi’, Ambit, no.50, 1972 Diane Kirkpatrick (ed.), ‘Texts A: Eduardo Paolozzi’, Ambit, no.51, 1972 ‘Junk and new Arts and Crafts movement’, in Eduardo Paolozzi, Talbot Rice Art Centre, Edinburgh 1979 The Jet Age Compendium: Paolozzi at Ambit 1967-1980, London 2009 |